Since we’re all cooped up in our abodes while the plague ravishes the land I thought we’d put together a film appreciation class! Everyday my 14.5 year-old, we’ll call him Swanson, and I (and sometimes his mother, my wife) will take in, what I consider anyways, a classic of cinema. We’ll run the gamut from silent films to a few current selections. I’m going to try to keep it fun so he won’t get bored. It will be non-linear, as in we’ll pop around the 20th Century and explore theme’s, history, where we’re at and how did we get here. Feel free to play along and chime in with thoughts and suggestions!
The General (Buster Keaton – 1926) – Made on a rather large budge for the time – $750 K – and making only $475K – it was a big flop and almost ruined Keaton’s career. He later said it was the film he was most proud of. This action/comedy set during the beginning of the Civil War is known for it’s elaborate and crazy dangerous stunts. Watch for the scene when he rides on the cow catcher and tosses railroad ties to clear the way. Incredible.
Post – it was a fun film to watch again. I hadn’t seen it in ages. Cool score by the Alloy Orchestra. Swanson really liked it as well. When asked what he liked about it he replied, “It was funny, well-shot and I like that Buster Keaton guy. He’s short, has a big head and looks weird.” There ya have it.
Singin’ in the Rain (Stanley Donen, Gene Kelly 1952) – Since we just watched a silent film and since Swanson loves musicals, I thought this would be the perfect film for tonight as it deals with the struggle of a film company as the adjust going from silent movies to “talkies” or, I guess, “singies” back in the day. Famous for Kelly’s wet rain number but don’t forget Donald, um, Sutherland…nope…Pleasence…nope…Duck….um nope…O’Connor! That’s it, and, of course, Debbie Reynolds. All are amazing.
Post – All enjoyed the fun dancey film. Lots of tap. Maybe too much? Naw. Swanson says, “put it on my staff picks!” He also commented that Gene Kelly looked like Spongebob Squarepants in during one particular number.
Casablanca (Michael Curtiz – 1942) Look at that cast – Bogey, Bergman, Lorre, Reins, Greestreet, others! Although Casablanca was an A-list film with big stars and first-rate writers, no one involved with its production expected it to be anything other than one of the hundreds of ordinary pictures produced by Hollywood studio system which churned out films at an alarming rate. Who’s laughing now?
Post – I loved it. As did my wife. Swanson, not so much. He liked it but found it a little confusing. I guess one needs to know a little of the history of the time to put the film in context. Still, he admired Bogie’s enormous head.
Rear Window (Alfred Hitchcock 1954) – Swanson’s seen the Simpsons version so now it’s time for the real thing.
The Third Man (Carol Reed 1949) – Nice to revisit the dank dark streets of post-war Vienna and get reacquainted with the friends of Harry Lime. Swanson liked it but of all the films we’ve watched for this club so far, it was his least liked. I’ll get him an American noir in his eyes soon enough.
Children of Men (Alfonso Cuaron – 2006) – I thought I’d treat Swanson to something a little more current – not just when the film was made (14 years ago!) but timely in it’s subject matter – pandemic, blame the immigrants etc. Told him to focus on the details – so much going on in the background and the intense single shot takes. Still holds up beautifully although it wasn’t his favourite film we’ve watched so far. I loved it.
The Haunting (Robert Wise 1963) – The Haunting (original – forget the lame remake) has been one of my favourite horror films (haunted house category) for such a long time. It was our first horror film for this class and I was quite excited to show Swanson this one. I told him to look for the use of sound, art direction, editing, camera angles and shadows and the fine black and white cinematography (instead of showing you ghosts and things) to create the unsettling atmosphere and give you the chills and the scares. And to my delight (and maybe a little surprise) he loved it! The odd angles and creepy statues were highlights for him. It goes on his staff pick shelf! That’s 4 out of 7. Not too shabby.
A Night at the Opera (Sam Wood 1935) – The first Marx Brothers movie and any of us had seen! And what a delight. Swanson and Wife really were head over heels for it while I enjoyed it but could have done with less opera singing and harp playing. Made us want to watch more and it goes on his staff picks! What are your favourite Marx Brothers movies?
Invasion of the Body Snatchers (Philip Kaufman 1978) – I thought it might be appropriate given the times we’re slogging through. I mentioned to watch for the hand-held camera, quick cuts, camera angles and use of background noises to heighten the feeling of paranoia. And to look for cameos from the director and star of the original (which we watched last year and it’s the version that I prefer although I like this version’s ending better). It was great to watch again although Swanson felt there was too much running.
The Bank Dick (Edward Cline 1940) – Another first – none of us had seen a W.C. Fields film before. This is a weird movie. Swanson really enjoyed it (more than I did) as it has a nice light comedic tone with a sprinkling of good laughs and ends with a crazy car chase. I enjoyed the child abuse and his strange relationship with his hateful family. Bonus points for having a character named Filthy McNasty.
Double Indemnity (Billy Wilder 1944) Walter Neff looks at the glass of iced tea he’s been handed. “A little rum would get this on it’s feet”. A great line in a film filled with great lines. My favourite noir and now Swanson’s as well. A pleasure to watch again. On the staff pick wall it goes.
A surreal double bill!
Un Chien Andalou (Luis Buñuel 1929) Thought I’d blow Swanson’s mind with 21 minutes of bizarre surreal imagery (as it blew my mind when I first saw it all those years ago). I still can’t believe this made in the 1920s. The eye slicing scene made him bury his head in a blanket. After that his comment was, “I don’t trust this film anymore”. Might be the best comment I’ve ever heard.
Donnie Darko (Richard Kelly 2001) – I’ve seen this film four times now (once the director’s cut – not recommended) and it’s still up for debate about what it’s all about and what actually happens (at least in my mind). Swanson loved it and we discussed the possibilities of what transpired for some time. but came up with no concrete answers. A great cult classic that still holds up incredibly well despite being almost 20 years old (!).
Duck Soup (Leo McCarey 1933) – Yes, another Marx Brothers film (watched upon recommendations made after viewing Night at the Opera). Pretty funny with a nice short run time. I think I enjoyed Night at Opera better, but this still has some inspired moments (the peanut vendor gags are gold). Swanson requested this one and he was quite enthralled with it. And I can see why Zeppo is the Shemp of the bunch. Not too sure why it was called duck soup – no ducks, no soup.
Little Shop of Horrors (Frank Oz 1986) – This was a Swanson pick. He’s a big fan of the stage production and soundtrack so what can I say? He enjoyed it (liked the play much more). I thought it was particularly dreadful – lame songs, flat direction, vaguely racist talking plant. I liked Steve Martin until I didn’t. I know it’s beloved by many but I cannot recommend this one at all.
What’s Up Doc? (Peter Bogdanovich 1972) – As this was one of my favourite comedies growing up, I was a tad apprehensive about watching it again in case it didn’t age well. Boy was I wrong. This is still one of the funniest, silliest, most wonderful of comedies. A young, sexy and totally charming Barbara Striesand leads a hilarious cast through a series of misunderstandings and mix-ups climaxing in one of the most hysterical and thrilling car chases ever. Swanson loved it as well. He said it’s probably his favourite of all the films we’ve watched so far! I was pleased as punch!